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Winter 2005
  • Enameled Snuff Bottles Produced at the Palace Workshops (Chinese text follows) by Xia Gengqi
  • Response and Responsibility: Reassessing the Past (followed by Chinese translation) by Hugh M. Moss
  • Hong Kong and Beijing Convention 2005 (followed by Chinese translation) by Jen Lyn Low
  • "The Three Emperors" and Asian Art Week-November 2005 by Ian Hardy
  • Beijing Auction Review by Christopher C. H. Sin
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Autumn 2005
  • East Meets West: European Subject Matter on Chinese Snuff Bottles by Clare Chu
  • Explosive Fury, Electrifying Strength: Cockfighting In China by Ka Bo Tsang
  • Tomb Bottles by Ian Hardy and Wang Ning
  • Chart of Palace Workshop Snuff Bottles of the Yongzheng Period (1723–1735) by Wang Ning
  • Questions and Answers by Robert W. L. Kleiner
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Spring 2005
  • Mountains and Water, Shan Shui: What Do We Mean by "Landscape" Painting in China? by Jerome Silbergeld
  • 37th Annual Convention 2005 Hong Kong/ Beijing by John Gilmore FordN
  • ew York Auction Reviews by Christopher C. H. Sin
  • Questions and Answers by Robert W. Kleiner
  • Book Review by Ian Hardy
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Winter 2004
  • Magical Monkey by Ka Bo Tsang
  • Boating Beneath the Red Cliff by Jonathan Chaves
  • Philadelphia Convention 2004 by Peter and Marion Bozzo
  • Asian Art in London - November 2004 by Ian Hardy
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Autumn 2004
  • Snuff Bottles: Time for a Re-Evaluation? by Claudia Brown
  • An Overview of Qing Glass Snuff Bottle Production, Part II by Hugh M. Moss
  • Asia Week in London - June 2004 by Ian Hardy
  • Hong Kong Auction Review by Christopher C. H. Sin
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Spring 2004
  • A Few Interesting Botanical Themes by Terese Tse Bartholomew
  • An Overview of Qing Glass Snuff Bottle Production by Hugh M Moss
  • Philadelphia Convention 2004 by John Gilmore Ford
  • New York Auction Reviews by Christopher C H Sin
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Winter 2003
  • The Chinese Writing System and the Power of Inscribed Writing by Chiu-Mi Lai
  • Artistic Innovation: Imitation Snuff Bottles by Vincent Fausone Jr
  • The 35th Annual Convention of the ICSBS or How the West Was Won by Clare Chu
  • Asia Art in London November 2003 by Ian Hardy
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Autumn 2003
  • Imperial Famille Rose Decorated Snuff Bottles of the Qianlong Period in Chinese Collections by Peter Y K Lam
  • The Goat/Sheep: A Model of Multiple Virtues by Ka Bo Tsang
  • Continuity and Creativity: Modern Jingdezhen Ceramics by Daphne Lange Rosenzweig
  • Asia Week in London `June 2003 by Ian Hardy
  • Eldred Auction August 2003 by Francine And Bernard Wald
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Spring 2003
  • The Play Element in Snuff Bottles by Patrick K M KwokLos Angeles Convention 2003 by John Gilmore Ford
  • The Hall of Constancy by Xingyouheng Tang
  • Big Can Be Beautiful by Ian Hardy
  • New York Auction Review by Christopher C H Sin
  • Book Reviews by Vincent Fausone Jr Clare Chu Ian Hardy
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Winter 2002
  • Chinese Calligraphy and Snuff Bottles by S L Tan
  • Singapore Convention 2002 by Christopher C H Sin
  • Review of the Exhibition Inkplay in Microcosm: Inside-Painted Chinese Snuff Bottles the Humphrey K F Hui Collection by Christopher C H Sin
  • Asian Art in London November 2002 by Ian Hardy
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Autumn 2002
  • The Horse as a Symbol of Excellence by Ka Bo Tsang
  • The Literati Culture of Leisure: Cultivation of the Garden and other Pastoral Sites by Chiu-Mi Lai
  • Teapots at an Art Exhibition: Modern Yixing Ceramic Production by Daphne Lange Rosenzweig
  • Asia Week in London June 2002 by Ian Hardy
  • The Art of Suo Jing: Rural Inside-Painted Snuff Bottle Artist by Steven Carroll
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Spring 2001
  • Not Just China: Qing Dynasty Expansion and Electicism by James A Millward
  • Instant Images from a Different Point of View by Ralph B Dessau
  • Houston Convention 2001 by John Gilmore Ford
  • Book Review by Christopher C H Sin
  • New York Auction review by Christopher C H Sin
  • An Introduction to Liu Yizi: Inside Snuff Bottle Painter by Steven Carroll
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Spring 2002
  • History in a Bottle by Phyllis Boots Fast
  • Singapore Convention 2002 by John Gilmore Ford
  • Post-Convention Tour Bankok by John Gilmore Ford
  • New York Auction Review by Christopher C H Sin
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Winter 2001
  • Snuff Bottle Decoration as related to Qing Imperial Architecture by S L Tan
  • Houston Convention Review October 23 - 27, 2001 by Clare Chu
  • New York Auction Review by Clare Chu
  • Asian Art in London by Ian Hardy
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Autumn 2001
  • Have You Come Across a Snake? by Ka Bo Tsang
  • Ivory: Sources Identification and Uses by William R Mann
  • Snuff Bottles in London June 2001 by Ian Hardy
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Winter 2000
  • The Use of Archaism as a Decorative Motif in Snuff Bottles by Carol Michaelson
  • Washington, D.C., Convention 2000 by Clare Chu
  • New York Auction Review by Clare Chu
  • Hong Kong Auction Review by Christopher C. H. Sin
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Autumn 2000
  • The Introduction of the Famille Rose Palette into China by Julian Thompson
  • Decoding Dragon Designs by Ka Bo Tsang
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Spring 2000
  • Precious Trinkets Art and Snuff Bottles for the Scholar's Table by Vincent Fausone Jr
  • Similaraties in Specialization - Exquisite Glass Snuff Containers in Bavaria and China by Heiner Schaefer
  • Washington D C Convention Tuesday 24 October-Saturday 28 October 2000 by John Gilmore Ford
  • New York Auction Reviews by Christopher C H Sin
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Winter 1999
  • In Memoriam: Victor E Graham by John G Ford
  • Esoteric Collecting by Hugh M Moss
  • Regarding the Hare/Rabbit Designs by Ka Bo Tsang
  • Base marks on Porcelain Snuff Bottles: Their Frequency and Diversity by Marcel Guillemant
  • London Convention 1999 October 5-9 1999 by Vincent Fausone Jr
  • London Auction Review by Clare Chu
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Autumn 1999
  • Re-Interpreting the Recent Past: Nineteenth Century Chinese Life and Art by Daphne Lange Rosenzweig
  • Underglaze Blue Porcelain Snuff Bottles - Their origins and Qualities by Ian Hardy
  • New Bottles in the Marketplace: What to Look For by Vanessa F Holden
  • Book Review by Joyce P Mcdowell
  • New York Auction reviews by Christopher C H Sin
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